MareGold Auctions
"Get in the bidding spirit" May Live Auction Prequel
Online Preview Auction — A Chance to Buy Early
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May 3rd 2026 Live Auction at the Annapolis Royal Firehall
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May Fine art and Print Auction
MareGold Live Spring Auction
Sunday May 3rd 2026
Come on out and join us for a great day!
MareGold Auctions is back with over 200 lots collected from more than 20 local consignors — glass and china, clocks, art, prints and paintings, small furniture, lamps and so much more. Something for everyone with items starting from just $10!
Everything sells — absolutely no reserves!
Annapolis Royal Volunteer Fire Hall 5 Saint Anthony Street Annapolis Royal, Nova Scotia
Viewing from 11:00am 🔨 Auction starts at 12:00 noon — sharp!
Register online and save the wait at the door!
Can't make it in person? No problem — we gladly take advance bids! Get in touch before auction day and we will bid on your behalf.
📞 709-689-2794 📧 russell@maregold.com 🌐 maregold.com
See you there!
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WHAT TO EXPECT AT OUR LIVE AUCTIONS
Whether you're a seasoned collector or attending for the first time, here's everything you need to know before you bid.
REGISTRATION
All bidders must register before participating. You will be assigned a unique bidding number, which is the only identifier used during the auction — no names, just numbers.
Save time on auction day by pre-registering online — skip the lineup and head straight to the floor. Walk-in registration is also available on the day of the auction, so be sure to arrive early if registering in person.
HOW BIDDING WORKS
Every item sells to the highest bidder — no reserves, no exceptions. When a lot comes up, the auctioneer opens bidding and takes raises from the floor. Hold up your bidding number clearly to place a bid. The hammer falls when no further bids are received, and that item is yours.
We move quickly, so stay alert. If there are items you're interested in, keep an eye on the lot list and be ready when they come up.
THE LOT LIST
At check-in, you will receive a complete list of all items in the order they will be sold. Every item on the floor has a lot number that corresponds to its place on that list and the order in which it will be auctioned. Use this list to plan ahead, mark the items you want, and make sure you are paying attention when your lots come up.
ALL ITEMS SOLD AS-IS
All items are sold as-is with no warranties or guarantees. We strongly encourage you to inspect every item thoroughly during the preview period before placing a bid. Once the hammer falls, all sales are final.
PAYMENT
All winning bids must be paid in full by 5:00 pm on auction day. We accept:
Credit card
Debit card
Cash
COLLECTING YOUR ITEMS
When you win a bid, your item is moved to our holding area for safekeeping.
Pay for your item at the payment desk.
Bring your receipt to the holding area to claim your purchase.
If you win additional items throughout the day, simply repeat the same process — pay, then present your receipt at the holding area.
All items must be paid for and picked up by 5:00 pm on auction day.
A FEW TIPS
Review the lot list as soon as you receive it and mark the items you want.
Inspect pieces carefully during the preview period — all sales are final.
Set a budget before you arrive and stick to it.
We move fast — stay focused when your lots are coming up.
Speak with a staff member if you have any questions about a specific lot.
Gallery of items in auction below
This painting is titled "Fallowfield Ontario" and was created in 1974 by the Canadian artist Sidney Charles Mooney (1927–1992) The artwork is an oil on board measuring 10.5 x 13.5 inches. Mooney's style in this piece is heavily influenced by the Group of Seven, particularly Alexander Young (A.Y.) Jackson, with whom he is often associated in the context of Canadian landscape art. Key Details: Artist: Sidney Charles Mooney Title: Fallowfield Ontario Date: 1974 Medium: Oil on board Inscriptions: Signed by the artist in the lower right corner. The painting captures a winter scene typical of Mooney's work, characterized by thick, expressive brushstrokes and a focus on rural Canadian structures and landscapes
Quietude at Dawn 24" x 48" (framed it is 30" x 54.5") By Annapolis Royal artist Virginia Bermann
An antique wooden folding room divider with four panels decorated with painted nature scenes, including ducks, reeds, and grasses.
This item is a vintage-style table lamp featuring a floral porcelain base and a decorative lampshade with fringe. Design: Victorian or Rococo inspired porcelain base with floral motifs and a corresponding lampshade. Fabric shade adorned with intricate dark fringe detailing.
Chinese black and gold lacquer panel, a traditional form of decorative art often featuring intricate scenes of palaces, figures, and landscapes. These panels were popular as export items during the 18th and 19th centuries and continue to be produced in similar styles today. The panel is created using lacquerware techniques, where multiple layers of lacquer are applied to a wood base. The golden details are typically achieved through gilt-decoration or hand-painting with gold pigments. The scene depicts a celestial palace or a grand historical or mythological event, featuring figures in traditional Chinese attire amidst elaborate architectural structures.
Framed decorative cross-stitch art with the words 'Happy Valentine's' and '2011' below a romantic figure of a woman with flowers. Wall with dragonfly pattern in the background.
A vintage cross-stitch sampler with various animals, floral patterns, and decorative elements in muted colors, framed with a dark and red border.
Antique Arts and crafts ( mission) style desk with glass-paneled doors, a fold-down writing surface, and internal shelves.
This item is an original oil on canvas painting by Canadian artist Roberta Murray, titled "Waiting On A Miracle". Artist: Roberta Murray, a poetic impressionist painter known for Canadian landscapes and wildlife. Style: Impressionist with visible brushwork and a vibrant color palette. Subject: A lush garden scene featuring red tulips, trees, and a house in the background.
An ornate dark wooden chest with decorative metal accents and engraved floral patterns on the top and sides.
This framed artwork is a Canadian landscape painting titled "May in Portland, Ontario" by the artist Ralph Wallace Burton (1905–1983). Artist: Ralph Wallace Burton, a distinguished painter from the Ottawa Valley and a student of A.Y. Jackson. Subject: A rural scene depicting buildings, trees, and a dirt road in Portland, Ontario. Style: Developed a vigorous style with rhythmic brushwork and luminous color, influenced by his companionship with A.Y. Jackson. Medium: Burton frequently executed his oil paintings on birch plywood panels or masonite.
This item is a framed needlepoint tapestry featuring a wreath motif with birds and rabbits, styled after William Morris patterns. Type: Needlepoint tapestry in a frame. Design: Millefleurs style (thousand flowers) with a dark blue background, symmetrical floral wreaths, birds, and rabbits. Dimensions: Approximately 22 inches by 34 inches. Style: Influenced by medieval artistry and the Arts and Crafts movement.
An abstract painting featuring geometric shapes and lines in various colors, including blue, green, yellow, gray, and brown, on a yellow background. Artist Keith Wood was born in Annapolis Royal, Nova Scotia in 1944. He received a Bachelor of Fine Arts from the Nova Scotia College of Art and Design. Keith moved to Winnipeg in the late 1960s and after running an advertising agency returned to painting. Keith’s works are abstract, mainly acrylic, oil, and pen and ink. In the latter part of his career he also worked in encaustic.
Decorative hand fan with artwork and lace, displayed in a window frame.
Green art glass bowl with delicate scroll design, mid 20th century
This item is a framed original artwork titled "Ontario Village Winter" created in 2008 by Canadian artist Doug Cosbie. Artist: Doug Cosbie Medium: Acrylic on canvas Dimensions: Approximately \(10\times 12\) inches
A black and white landscape painting of a waterfall near Byram, with a fallen tree in the foreground and trees in the background.
A framed vintage illustration of two different bird species, one with black and white plumage and the other with brown feathers, with green bushes in the background.
Decorative ceramic serving platter with an artistic painting of vegetables, including a tomato, lettuce, and carrot, decorated with green trim.
A decorative table lamp with a floral painted glass shade and a sculpted figure as its base.
A wooden armchair with cream-colored upholstery decorated with a pattern of green dragonflies, located on a wooden floor in a living room.
A framed vintage illustration of a Western Capercaillie bird against a muted natural landscape background with trees and clouds.
A vintage illustration of a bird with a long neck, detailed feathers, and distinctive beak, standing on grass and rocks.
A vintage brass candelabra floor stand with nine candle holders, ornate design.
An ornate wooden armchair with a carved backrest and curved arms, featuring a cream-colored cushion with a dragonfly pattern.
A framed vintage illustration of a shorebird with black and white plumage, standing on the ground near water with grass and rocks.
This item is a Vintage Anchor Hocking Arlington Punch Bowl Set, featuring a distinct pressed glass starburst pattern. Manufacturer: Anchor Hocking. Pattern: Arlington (also known as Star of David or Sawtooth pattern). Capacity: The bowl typically holds 6 quarts. Components: The set usually includes a large serving bowl and matching cups.
A vintage black and white illustration of two birds perched on a branch from a bird guide, labeled as Plate IV from a series on birds.
An original work titled "Farm Buildings N.W. of Magnetawan Village, Parry Sound" by the celebrated Canadian artist Lawrence Nickle (1931–2014). Painting Details Artist: Lawrence Nickle (Canadian, 1931–2014). Title: Farm Buildings N.W. of Magnetawan Village, District of Parry Sound. Medium: Oil on wood board. Creation Date: 2003. Dimensions: Approximately 10 x 12 inches. Signature: Signed by the artist in the lower right corner. About the Artist Lawrence Nickle was a prominent Canadian plein air landscape painter known for his "spirited and honest" depictions of the Northern Ontario wilderness. His work is often compared to the Group of Seven, though he personally identified more with the Impressionists and their focus on light. Technique: He primarily worked in situ (outdoors), often using small 10” x 12” wood panels for his oil studies. A graduate of the Ontario College of Art, Nickle spent decades capturing rural and wilderness scenes around Lake Superior, Lake Huron, and the Magnetawan River.
Two clear glass crucifix candle holders
Belem sailing ship model, a vintage collectible of a famous French three-masted barque launched in 1896. Model Details: Crafted from wood with intricate detailing, featuring canvas sails and a hull painted black and white. Presentation: The model is housed in a dedicated wooden display case with a blue background and internal lighting. Significance: The original ship is classified as a historical monument in France and is one of the last great 19th-century French merchant sailing ships still in operation.
White ceramic pitcher with ornate handle inside a matching bowl
A decorative brass door pull from the Capitol theatre in Ottawa - very heavy
Two wicker chairs with a woven pattern and dark wooden legs.
A glass cross and a glass religious figure with a gold and silver halo
Decorative glass bowl made from cuban cigars with religious imagery
Wooden church pew with armrests and black base
Three bespoke designer white bar stools with padded seats and backrests
An antique upholstered chaise lounge with a floral fabric and wooden frame.
Wooden cabinet with two drawers on top and two louvered doors below, with locks and a small round sticker at the top right corner.
Antique mahogany wooden chair with a carved backrest and a red upholstered seat. Queen Anne style Chippendale
Pair of abstract works is by the Nova Scotia-born artist Keith Wood (1944–2018). He was known for his minimalist, layered compositions that often utilized encaustic—a medium of pigmented molten wax—which he began focusing on in 2006. Keith Wood was Born in Annapolis Royal, NS, Wood studied at the Nova Scotia College of Art and Design (NSCAD). He spent much of his professional life in Winnipeg, where he initially worked in advertising before returning to full-time painting. Artistic Philosophy: Wood’s aesthetic is "reduced, present, and timeless". He frequently compared his painting process to jazz improvisation, where an underlying structure (like a grid or limited color palette) is balanced with spontaneous, intuitive layering. Technique: His encaustic works are built in transparent layers. This method allows light to refract through the wax, creating a luminous quality as if the light is emanating from within the piece itself. Notable Collections & Locations Wood's works are represented by several Canadian galleries, particularly in the Winnipeg area: Soul Gallery (Winnipeg): Holds a significant collection of his pieces, including his later encaustic work. Gurevich Fine Art (Winnipeg): Has hosted several solo exhibitions of his work, such as "This Time" and "Non-Fiction". Mayberry Fine Art: Features his abstract and non-representational paintings in their collection.
This is a framed art print titled "Lake George" (formerly "Reflection Seascape"), originally painted by Georgia O'Keeffe in 1922. Artist: Georgia O'Keeffe, a pioneer of American modernism known for her abstracted landscapes. Subject: A tranquil, abstracted representation of Lake George in New York at dusk, capturing the reflections on the water's surface. Style: The composition focuses on essential forms and lines, removing traditional landscape elements like the shoreline to create a visually disorientating pattern. Context: O'Keeffe created a series of paintings based on her experiences living and working at Lake George between 1918 and 1934.
Abstract black ink sketch of a mountainous landscape with trees, rocks, and a tent, signed by the artist. Artist Keith Wood was born in Annapolis Royal, Nova Scotia in 1944. He received a Bachelor of Fine Arts from the Nova Scotia College of Art and Design. Keith moved to Winnipeg in the late 1960s and after running an advertising agency returned to painting. Keith’s works are abstract, mainly acrylic, oil, and pen and ink. In the latter part of his career he also worked in encaustic.
A large decorative gold-framed mirror
A wooden round table with carved details on the pedestal base
an abstract piece by Keith Wood (1944–2018). Wood was a Nova Scotia-born artist known for his minimalist, layered abstract compositions that frequently utilized acrylics, oils, pen and ink, and later in his career, encaustic (wax-based) techniques. His work often explores the tension between light and dark, using simple geometric forms and delicate line work, as seen in this piece featuring two main dark rectangular fields separated by a more open, linear section. Artist Overview: Keith Wood Background: Born in Annapolis Royal, NS, he was educated at the Nova Scotia College of Art and Design (NSCAD) before a career in advertising and eventually returning to full-time painting in Winnipeg. Style: His aesthetic is characterized by a "reduced, present, and timeless" quality, often creating multifaceted textures through intuitive layering. Notable Collections: His works are held in various galleries across Canada, including the Soul Gallery in Winnipeg and Gurevich Fine Art.
Vintage porcelain figurine of a woman wearing a blue gown produced by European manufacturer Royal Dux Bohemia. Material: Porcelain or bone china, often hand-painted with bisque (unglazed) areas for the skin. Style: Typically depicts elegant ladies in period costumes, sometimes featuring gold highlighting. These decorative items are collected for their craftsmanship and artistic representation of Victorian or rococo themes.
Wooden armchair with a carved frame and patterned upholstery fabric in warm tones.
An oil painting on canvas titled "Seine River" by the artist Jurgen Winter, dated 1931. Subject: A landscape scene featuring a bridge over the Seine River in Paris, with pedestrians and buildings in the background. Medium: Oil on canvas. Dimensions: Approximately 27.5 x 31.5 inches (canvas). Details: The painting is framed and signed.
A wooden coffee table with a glass top, located underneath a larger wooden dining table, on a hardwood floor.
Landscape painting of a lake with trees and mountains in the background, featuring a large leafless tree in the foreground, framed and hung on a light green wall.
an antique wooden carpenter's tool chest, likely dating from the 19th century. It features a large, hinged lid, often designed with specialized storage racks for hand saws. The interior typically contains multiple sliding trays and compartments ("tills") for organizing smaller tools and supplies. These chests were frequently constructed from pine or oak and reinforced with metal banding for durability.
an antique cast iron drop candy machine, likely manufactured around 1900. It was used to form hard candy lozenges or square-shaped candies. Material: Cast iron and wood. Dimensions: Approximately 8-11 inches high, 10-11.5 inches wide, and 8-14 inches deep.
An old black Remington typewriter with round keys and a carriage return lever.
Queen Anne-style lowboy, a mid-20th-century reproduction based on its condition and construction. The lowboy is characterized by several classic design elements: Cabriole Legs: The elegant, S-curved legs tapering down to pad or "slipper" feet are a hallmark of the Queen Anne and George II styles. Three-Drawer Configuration: It features a typical kneehole design with one wide center drawer flanked by two deeper side drawers. Shaped Frieze: The bottom edge of the drawer section has a scalloped or "apron" shape, which was popular in early 18th-century English and American furniture. Materials: Repros from the 1950s often used walnut or mahogany veneers to mimic the high-end burl finishes of original 18th-century pieces.
This item is an antique wooden storage box or trunk, often called a primitive ditty box or blanket chest. Material: Constructed from wood, featuring a black painted exterior and natural wood interior. Features: Includes a hinged lid and a metal latch, with some versions featuring separate trays inside. Origin: Likely dates from the late 19th or early 20th century. Use: Historically used for storing tools, keepsakes, or household linens.
A drop leaf wooden table with a hinged top
A wooden cabinet with glass panel doors and a reddish stain. The cabinet appears vintage or is rustic, with some peeling paint and scratches.
Bankers bookcase with glass doors, three shelves inside, and a curved base and metal supports
A vintage library wooden table with turned legs and a drawer
Pair of oil paintings are consistent with the style and themes of H.M. Gabriel, a 19th/20th-century artist often associated with Dutch or French Impressionist-style scenes. The works typically depict flower sellers on a quay or dock, often featuring figures in traditional dress preparing floral displays near docked boats under hazy, atmospheric skies. Primarily attributed to H.M. Gabriel (French or Dutch, active 19th/20th Century). Both paintings feature the "Flower Market along the Quay" theme, a common motif for this artist. Impressionist oil on canvas, characterized by soft lighting and textured brushwork.
These are vintage kerosene oil lamps featuring decorative glass bases. Red Lamp: This lamp features a cranberry red base and a clear glass hurricane chimney. Amber Lamp: The other lamp has an amber-colored glass base with a textured, octagonal design. Purpose: These are functional lighting items commonly used for decoration or emergency ambient lighting. Manufacturer: Similar styles were produced by companies like Bartlett-Collins, known as "Homesteader" lamps.
A collection of antique stereoscopes and stereoview cards, popular in the 19th and early 20th centuries for viewing 3D images. Stereoscopes: The handheld devices used to view the cards, often made of wood and metal. Stereoview Cards: Photographic cards featuring two nearly identical images side-by-side, which create a 3D effect when viewed through the lenses. Content: The cards typically depicted famous landscapes, architectural wonders, portraits, or everyday scenes. Historical Context: These sets were widely used for entertainment and education in Victorian parlors.
A detailed black and white drawing by Jenson of a small cottage with multiple gabled roofs, surrounded by leafless trees and bushes, with a screened porch on the right side, in Old Nova Scotia.
A vintage Polaroid Sun 600 Instant Camera placed next to a brown leather Kodak bag with a colorful rainbow logo.
This is a hand-carved wood lotus kawung jewelry box, crafted by artisan Wayan Rendah in Indonesia. Material: Sono wood Design: Intricate carvings featuring the kawung motif, which is inspired by palm tree fruit and symbolizes long life and purity. Dimensions: Approximately \(21\) cm long, \(15\) cm wide, and \(6.5\) cm high. Features: Low-relief carvings and a locking mechanism
This artwork is a Canadian landscape oil painting depicting a lake with a wooden dock and evergreen trees under a cloudy sky. Artist: The signature appears to be "R.W. MacDonald" or a similar variation. Style: The painting features a style reminiscent of the Group of Seven or their contemporaries, focusing on the Canadian wilderness. Subject: Similar works by artists from this era frequently depict locations like Muskoka or Algonquin Park.
Antique Ansonia Nickel Carriage Alarm Mantel Desk Table Clock featuring a decorative botanical dial. Manufacturer: Ansonia Clock Company. Material: Nickel-plated brass case with glass panels. Features: Includes an alarm mechanism and a winding key. Style: Carriage clock design popular in the late 19th century.
A black and white sketch by local artist L.B. Jenson. of the Old Martello Tower built in 1812, located in Lancaster, New Brunswick, with a flag flying on top, situated on a small hill with a dirt path and fencing around it, against a background of water and distant land.
This item is a framed sketch titled "On the Look-out" (1827) by the renowned 19th-century British artist Sir Edwin Landseer. Subject: The artwork depicts a figure looking through a telescope alongside two hounds. Artist: Sir Edwin Landseer (1802–1873) was famous for his detailed paintings and drawings of animals. Context: This sketch was featured in a 1875 publication titled "Studies and Sketches by Sir Edwin Landseer, R.A.".
This is a vintage Sadler England ceramic tea set, likely featuring a white floral pattern with gold stripes and swirls. The set typically includes a teapot, creamer, and sugar bowl. Many of these pieces were manufactured in the United Kingdom starting from 1937. They are highly collectible and often feature hand-painted gold accents.
This item is a framed ink drawing of the Prince's Lodge Rotunda, also known as the Music Room, located in Halifax, Nova Scotia. Subject: The rotunda was built around 1796 as a decorative garden building for Prince Edward, Duke of Kent. Location: It is situated on a hill overlooking the Bedford Basin along the Bedford Highway. Significance: It is one of the few remaining Georgian-era buildings in the area and a recognizable landmark.
The object in the image is a Tinalik woven rattan basket, which is commonly used as a large storage container or a decorative drum-style table. These items are handcrafted by skilled artisans, typically originating from the Philippines
A wooden wardrobe with a mirror
Two paintings of a busy outdoor market with vendors and shoppers, framed in ornate gold frames, placed on a wooden surface.
This artwork is a signed, limited edition watercolor print by the artist Amy Evans, titled "Chimneys From Bridgehouse". eBay eBay Artwork Details Artist: Amy Evans, a recognized Bermuda-based artist known for her landscape and watercolor works. Subject: The piece depicts a scenic view of white-roofed buildings and distinctive chimneys in Bermuda, specifically looking from or toward the historic Bridge House in St. George's. Format: It is a limited edition print, typically signed and titled in pencil on the outer mat or bottom of the print
This is a Mid-Century Modern (MCM) coffee table, likely made of teak and originating from Denmark in the 1960s. Key Identifying Features The table is characterized by several distinctive Danish modern design elements: Materials: Typically crafted from high-quality teak wood with a warm, reddish-brown grain. Lower Tier: A slatted or spindle-style "magazine rack" undertier for storage. Legs: Tapered, slim supports that give the piece a light, "floating" appearance characteristic of the era. Tabletop: A long, rectangular surface often featuring "boat" shaped or slightly raised edges.
This image is a painting titled "Winter Scene" created by Canadian artist Cluny Maher. The artwork features a rustic wooden barn completely covered by a thick blanket of snow. The composition is dominated by a minimalist palette of whites, blues, and dark tones, characteristic of winter landscapes. Cluny Maher is a known Canadian painter, often associated with traditional rural scenes and landscapes.
Four gray wooden dining chairs with dragonfly patterned cushions.
Pair of vintage framed etchings or prints featuring narrow, vertical city street scenes, possibly depicting European architecture. Type: Framed art prints or etchings in black wooden frames. Style: Vertical, narrow compositions focusing on urban landscapes. Condition: They appear to be vintage, with matting that may need cleaning or replacement to preserve the artwork inside. Value: Value depends heavily on the artist's signature (if any), edition number, and condition of the prints under the glass.
Vibrant landscape by Roger Monette, a renowned Canadian painter based in Quebec. His work is characterized by: Style: A mix of realism and impressionism that focuses on the "harmonious beauty of the rural landscape". Technique: Use of intense, soft colors and a sensitive touch to transcend simple depictions of nature into something contemplative. Acclaim: Monette has been exhibiting across Quebec since 1975 and has won first prize at the Symposium du Doux Pays de Kamouraska (2002) and the Symposium Art et Passion (2005). This particular piece showcases his signature style, featuring rolling golden hills, a charming village church, and the lush, layered brushwork typical of his depictions of the Canadian countryside.
Colorful watercolor painting of a street scene This item is a framed watercolor painting titled "State House, St. Georges" by artist Amy Evans. The artwork depicts a scenic street scene in St. George's, Bermuda. It features traditional Bermudian architecture with pastel-colored buildings and lush foliage. The piece is professionally framed with a wide mat board.
A vintage Richard Ward Winchester table-top clock featuring a burl wood look. Design: It is an ornate, decorative clock designed for a mantel, desk, or shelf. Dimensions: The clock approximately measures \(14.5"\times 8.5"\times 2.5"\). Mechanism: It operates using a quartz movement.
This artwork is an oil painting by Canadian artist Stafford Plant. Artist: Stafford Plant, a contemporary painter known for landscape and Indigenous scenes. Subject: A rural community featuring totem poles in the foreground and mountains in the background. Style: Realistic landscape painting with detailed atmospheric clouds. Frame: The piece is presented in a decorative silver-colored frame with a fabric mat. Canadas National Fine Art Auction House - Heffel After an exploratory trip in the spring of 1918 gave him a glimpse of what Algoma had to offer, that autumn Harris arranged for th... Heffel
"Sand Lake, Algoma" (1921), a celebrated oil-on-board sketch by Canadian Group of Seven artist Lawren Harris. The piece you are viewing is a high-quality reproduction, a giclée canvas. These reproductions are highly detailed, often using specialized processes to capture the texture and every brushstroke of the original 1921 oil study. Reproduction Details Medium: Commonly available as giclée prints on canvas or as lithographs mounted on African hardwood panels. Technique: High-end versions, like those from the "Icon Series," use a direct casting of the original painting to recreate its tactile essence and color nuance. Original Artwork: The original 1921 sketch is a small oil on board (approx. 10 5/8 x 13 7/8 in) and has achieved auction prices as high as $631,250
This item appears to be an antique Georgian style mahogany bookcase featuring astragal glazed doors with intricate geometric wooden dividers. Style: Georgian or early Victorian era design, typically constructed from mahogany or rosewood. Features: It includes a molded cornice top and glass panels framed by delicate wooden tracery, often referred to as "astragal" glazing. Purpose: Traditionally used as a library cabinet for displaying books or fine china.
This is a framed landscape painting featuring a rural scene with a cabin and fence, signed by artist Stafford D. Plant. Artist: Stafford D. Plant, a Canadian painter. Style: The artwork is a traditional landscape painting, characteristic of Canadian rural scenes. Condition: The painting is housed in a decorative light-colored wooden frame with a fabric mat.
Two large wooden carved heads with exaggerated facial features, including large noses, painted eyes, and mouths
80 pc
This item is a Fenton Art Glass swan vase, specifically a highly sought-after iridized piece in "Persian Blue Pearl" with a "Dusty Rose" crest and ruffled edge. Manufacturer: Fenton Art Glass Company. Design: Features a raised embossed pattern of swans, tall cattails, and water lily pads. Production: This specific color combination was produced around 1993 and was offered exclusively through QVC. Dimensions: Typically stands approximately 9 inches tall.
A vintage wooden snowshoe with a painted decorative panel, marked with '1918' at the bottom, featuring floral and whimsical designs.
This item is a collectible oil painting titled "Creek From Spring Lake to Deer Lake" by Canadian artist Lawrence Nickle. Artist: Lawrence Nickle (1931–2014). Medium: Oil on board. Dimensions: Approximately \(10\times 12\) inches. Style: Canadian landscape painting with impasto technique.
A 19th-century French gilt bronze (ormolu) figural mantel clock depicting a courting or romantic couple in historic costumes. Material: Gilded bronze, typically with mercury gilding for early 19th-century pieces. Design: Features a central clock face flanked or topped by sculptures of a man and woman. Dial: Commonly includes Roman numerals for hours. Origin: France, frequently dating to the Empire or Charles X periods. Antique French Parisian mantel clock from 1800, couple scene ... Gilt bronze mercury mantel clock, depicting a couple scene. Origin: France. Period: mid-19th century. Dimensions: 32x11x40 cm.
A dark wood china cabinet with glass doors displaying various dishes - 1970s
A n antique wooden platform rocker with floral upholstery on the seat and backrest.
Ornate timepiece is a Victorian-style brass clock, often designed as a decorative mantle or desk piece. The clock's most distinctive features are the six miniature portrait medallions surrounding the central dial. These portraits appear to be in the Royal Vienna or Sèvres style, which commonly featured hand-painted enamel figures on porcelain. Similar decorative frames were also used for "marriage plates" or ornate triptych frames that combined gilded brass with enamel or coin inserts
Wooden duck decoy painted black
A landscape oil painting depicting a natural scene with trees, rocks, and a body of water, framed with a simple wooden border.
This is an antique E. Ingraham parlor kitchen mantle clock, often referred to as a "gingerbread" clock due to its ornate, pressed wood case. Manufacturer: E. Ingraham Company, Bristol, Connecticut, USA. Era: Popular from post-American Civil War to World War I (roughly late 19th to early 20th century). Features: Typically features an 8-day time and strike movement, a pressed oak case with intricate designs, and often includes a pendulum.
This item is an antique electrified oil lamp, likely manufactured by the Bradley & Hubbard Manufacturing Company. Features: It features a decorative brass stand with a twisted stem and an ornate reservoir. Shade: The lamp is topped with a frosted glass globe shade featuring etched patterns and a clear glass chimney. History: Bradley & Hubbard was a prolific manufacturer of lamps in Meriden, Connecticut, starting in the mid-19th century.
Ceramic teapot with a woven handle positioned in front of ten matching ceramic cups, all featuring horizontal yellow, brown, and black stripes.
a vintage Fenton hand-painted student lamp. Manufacturer: Fenton Art Glass Company. Design: Features a ruffled-edge green glass shade and base, often hand-painted with floral patterns such as roses or "Donna Flowers". Material: Art glass with a metal base. Features: Some models are known to be three-way lamps, allowing independent or simultaneous lighting of the base and top shade.
This item is an antique steeple clock, likely manufactured by the New Haven Clock Company in Connecticut during the mid-19th century. Style: Known as a "Sharp Gothic" or steeple mantel clock, characterized by its pointed, church-like top and slender columns. Features: Often constructed with a mahogany veneer case, a brass movement, and a lower glass tablet decorated with gold leaf foliage or painted scenes.
Framed landscape painting of a winter scene with snow-covered ground, trees, and a cloudy sky.
antique gingerbread mantel clock, likely produced by the E.N. Welch or Sessions Clock Company in the late 19th or early 20th century, featuring a classic pressed oak case with intricate carvings and a reverse-painted glass panel. Style: Eastlake-inspired carved wooden case, commonly known as a "Gingerbread" design. Features: Roman numeral dial with a gold-toned floral or urn design painted on the lower glass door.
A wooden circular glass display case for jewelry
This framed artwork is a collectible pencil sketch of a cat. It features a detailed graphite or charcoal drawing of a small kitten. The piece is signed by the artist, "Ron..." and dated. It is inscribed "To Elyse, J.Y. 12/13". The drawing is mounted in a modern frame with a double mat
A vintage floral-patterned white glass lamp shade ( pair) with three mental rosettes.
A wooden sewing basket with nails for thread
This item is an antique Pequegnat mantel clock, likely the "Essex" or a similar model from the 1930s, featuring a walnut case and a 8-day time and strike movement. Manufacturer: The Arthur Pequegnat Clock Company of Berlin (later Kitchener), Ontario, Canada. Key Features: Walnut wood case, spring-driven movement, and signature Pequegnat dial. Historical Significance: Highly valued by collectors for being entirely Canadian-made.
This item is a vintage Chalet Canada art glass vase from the 1960s or 1970s, featuring a distinct twisted, free-form design. Manufacturer: Produced by Chalet Artistic Glass in Cornwall, Ontario. Color: Typically rendered in shades like olive green, honey, or amber, often with a clear glass overlay.
This item is a vintage watercolor painting depicting Holy Trinity Church in Stratford-upon-Avon, famously known as the burial place of William Shakespeare. The artwork is likely an antique or early 20th-century piece, similar to works by artists such as Harold Lawes or Rowland Henry Hill.
Historical map of North America showing British possessions in 1811, including territories, coastlines, and geographical features.
Alexander Young (A.Y.) Jackson, a founding member of Canada's famous Group of Seven. This painting is a Giclee reproduction. The piece is consistent with Jackson's celebrated "Quebec scenes" from the 1920s through the 1940s. During these years, he took annual sketching trips along the St. Lawrence River, capturing rural villages before modern development reached them. The image features classic motifs found in his work, including a rhythmic arrangement of village houses with contoured snowbanks and a church steeple in the background. A horse-drawn sleigh, one of his most beloved elements, is depicted moving through the snow. His style is known for lead-in paths—like the undulating snowy road here—that guide the viewer's eye into the heart of the village.
This item is an Antique 19th Century American Sheraton Four Drawer Server. Style: Federal period, Sheraton style. Material: Solid cherry wood. Features: Four drawers with turned wooden knobs and slender turned legs.
Vintage Royal Doulton White Persian Cat porcelain figurine, specifically identified as model HN2539. Brand: Royal Doulton, Persian Cat HN2539. Made from Bone china/porcelain with a glossy finish featuring a seated white cat with amber eyes. Dimensions: Approximately 5 inches in height.
This image is a vintage-style framed lithograph print titled "A Scene in Northern Canada". The print illustrates a scenic Canadian wilderness featuring a beaver, elk, turkeys, and passenger pigeons. It is available as a giclée print, often mounted in a solid wood frame. The original artwork is recognized as a coloured lithograph from the 18th or 19th century.
This item is a limited edition print titled "Baby Warmblood" by Canadian equine artist Janet Griffin-Scott. It is numbered 2/100, indicating it is from a limited run of 100 prints. The original artwork was created using colored pencils. Janet Griffin-Scott is celebrated for her paintings of horses, dogs, and wildlife.
This item is a vintage Chalet Artistic Glass centerpiece, specifically a "spike and curl" vase in a cranberry and clear (sommerso) design. Manufacturer: Chalet Artistic Glass, established in Cornwall, Ontario, Canada, operating primarily from 1962 to 1975. Design: Features fluid, asymmetrical lines with cranberry-colored glass encased within clear crystal, a technique often referred to as sommerso.
This image is a reproduction of "The Ploughman" by Canadian artist Joseph Sydney Hallam. Artist: Joseph Sydney Hallam (1898–1953). Context: It was produced as a silkscreen print by Sampson-Matthews Ltd. during the Second World War to boost morale by depicting rural Canadian life. Subject: The artwork features a farmer guiding a team of horses with a plough across a field.
Three decorative vases: One tall, pale green vase with a floral pattern, one small round black vase with a painted brown flower, and one medium-sized cream-colored vase with green leaves and white flowers with brown centers.
These vintage pottery items appear to be Van Briggle conch vases, which were typically produced in the mid-century period, likely between the 1940s and 1960s. The vases are styled as figural seashell planters, often featuring a contrasting interior glaze, such as blue and white or green and white. They are known for their sculpted wave or shell textures on the exterior. Authentic pieces may be marked with the brand name on the bottom.
This vintage green onyx mantel clock features polished natural stone with brass or gold-tone metal accents and decorative pillars. Green onyx stone with brass details. Often described as Art Deco or retro decorative. quartz movement
Painted portrait of a beagle dog in profile view.
This item is a vintage H.J. Wood Staffordshire "Indian Tree" hand-painted embossed pottery vase. Manufacturer: H.J. Wood Ltd., Made in England. Pattern: "Indian Tree" design, which features embossed, hand-painted trees and flowers. Era: Mid-20th century, specifically dating back to the 1930s-1970s. Features: Known for its highly textured relief decoration and colorful painted finish.
The center vase is an antique Art Deco pottery vase crafted by Faïencerie Thulin in Belgium. This specific design, often identified by the shape number 2227, was produced between the 1920s and 1940sis a vintage Hubert Bequet Quaregnon vase from Belgium, featuring a distinctive turquoise or teal color, delicate reticulated (cut-out) design at the top, and hand-painted bird and floral motifs highlighted with gilded gold accents. The vase on the right is a vintage Hubert Bequet Quaregnon vase from Belgium, featuring a distinctive turquoise or teal color, delicate reticulated (cut-out) design at the top, and hand-painted bird and floral motifs highlighted with gilded gold accents. The vase to the left is an Art Deco green vase manufactured by Beswick Ware in England, dating back to approximately the 1930s.
This is a framed, vintage color print titled "In the Heart of the Trossachs," depicting a Scottish landscape with cattle near a river. Artist: The original artwork is likely by the British landscape painter Sidney Richard Percy (1821–1886), known for his scenic depictions of Wales and Scotland. Subject: The scene depicts "The Trossachs," a famous woodland glen in the Stirling council area of Scotland. Frame: The print is presented in a dark wood frame with a light-colored matting.
Various handmade wooden bowls and a small wooden cutting board with a round hole, .
A set of twelve wooden pens with gold accents in a clear plastic display case.
A vintage floral-patterned sofa with matching pillows in a room with yellow walls, wooden floors, a window, a picture frame, and a lamp.
Decorative brass and black metal wall hanging with a figure of a woman in traditional dress at the top, and two bird-shaped hooks with brushes hanging below.
A collection of clear cut glass tea cups and a large cut glass bowl.
This item is a Victorian-style table lamp featuring cranberry-red art glass and a brass base, likely a banquet or parlor lamp. It is a collectible piece, often incorporating a kerosene lamp burner structure, though many examples have been converted to electricity. Design: Features a rich red glass shade and a matching font (fuel reservoir), commonly in patterns like coin dot or with fluted edges. Base: Typically elevated on a brass pedestal or fluted column. Usage: Originally used for kerosene lighting, but frequently electrified for modern decorative use.
A collection of jewelry and jewelry boxes on a table. The jewelry includes various beads, pearls, and bracelets, placed in plastic bags and open jewelry boxes.
This item is an antique E. N. Welch steeple mantel clock. Style: Gothic steeple design with rosewood veneer and brass finials. Features: Includes a reverse-painted glass panel below the dial and Roman numeral markers. Included Accessories: The clock comes with its pendulum and winding key.
Still Life of potted plants by Louise Williams. Working primarily in watercolour she explores the the joys of every day life in this piece of paradise. Louise holds a BA and has trained as a professional tailor and costume designer.
A set of four vintage teacups and matching saucers with floral patterns. snack plates
This item is a vintage Burleigh Ware pitcher and bowl set, produced by Burgess and Leigh in England. Design: Features a delicate floral pattern with red and blue flowers against a white, subtly embossed ceramic body. Era: Typical of sets manufactured in the 1930s or 1950s. Features: The pitcher is often described as a water or milk jug, and the set is designed as a wash basin set.
Collection of small ceramic animal figurines, including a pig, dogs, a horse, a cat, and various decorative containers, arranged on a light-colored fabric surface against a brick wall background.
These are framed art prints featuring whimsical scenes of children, signed in the style of Joyce Roybal. The artworks depict "puffy people" in child genre paintings, often engaged in activities like playing musical instruments or playing on swings. Works attributed to "J. Roybal" are frequently produced as decorative art prints and reproductions. The paintings are characterized by textured techniques and stylized figures.
Framed black and white sketch of a baby cheetah on the left and on the right; These framed pictures are collectibles featuring works by Indigenous artist Mark Nadjiwan, specifically a drawing titled "Perseverance". Artist: Mark Nadjiwan, an Anishinaabe artist from the Chippewas of Nawash First Nation. Style: Fusion of Woodland and Northwest Coast art traditions. Medium: Pen and ink drawings on illustration board.
Mixed-media self-portrait by the Canadian artist Jane McBurney Racine. Jane McBurney Racine is a visual artist based in Annapolis Royal Nova Scotia, Canada. She frequently works with a combination of charcoal, conté, and watercolor to create "stronger emotional impressions" than color alone. Beyond portraits, her work often features gardens, animals, and scenes from her local community. She is a founding member of the Elephant Grass Print Collective based in Parker's Cove, Nova Scotia. The signature at the bottom of your piece is her distinctive mark, which often appears on her drawings and mixed-media works.
This item is an antique set of metal shopkeeper's door bells or chimes. Purpose: Historically used on doors to announce customers entering a shop, or attached to horse-drawn vehicles. Design: Features graduated metal bells mounted onto a rusted iron bar. Dimensions: The bar measures approximately 15 inches in length. Condition: The metal shows a natural patina and rustic wear consistent with early 20th-century age.
These items are antique cut glass decanters, likely dating from the Georgian, Victorian, or Edwardian periods. They feature a classic diamond-point or strawberry-cut pattern on the body. The decanters have a distinctive three-ring neck design. They come with original faceted or mushroom-shaped glass stoppers.
This item is an antique Bohemian ruby flashed glass apothecary jar, likely dating from the mid-to-late 19th century. Design: Features a "ruby flash" technique, where a thin layer of red glass is applied over a clear base and then cut away to reveal intricate patterns, often grapevines or floral motifs. Form: A faceted, panelled body with a matching glass stopper, commonly used for storing preserves or pharmacy goods. Origin: Produced in Bohemia (modern-day Czech Republic), a region renowned for its glassmaking heritage.
Print titled Winter Morning in Baie-Saint-Paul (French: Matinée d'hiver à Baie-Saint-Paul) by Canadian artist Clarence Gagnon. This piece showcases a traditional winter landscape in Quebec, featuring characteristic colorful houses and a village church in the background. Gagnon is renowned for his detailed depictions of rural Canadian life and winter scenes. The original artwork is oil on canvas, but this a framed print of the famous painting
Wooden carving of a squirrel with a bushy tail, carved into a rectangular wooden plaque, placed on a colorful woven fabric.
A collection of vintage metal pulleys, a rusty chain, a small wooden wood, and a metal trident.
A vintage aircraft compass mounted on a wooden surface, with a clear plastic cover to its side.
A stained glass window with pink and green glass pieces forming a floral pattern, framed with black metal outlines.
Glass display case with porcelain rabbit and sheep figurines, some with floral designs, and a ceramic dog figurine among the sheep.
A decorative ceramic vase with large, three-dimensional, painted flowers attached to the surface.
Old black leather-bound Holy Bible with gold lettering and decorative gold embellishments on the spine
Open page of an old Bible featuring a black and white illustration of a church with a dome on the left, with ornate text on the right page outlining the title and publishing details of the Bible.
Wooden chess set
A wooden chess set with carved wooden chess pieces in a red box
A vintage chess set with red and black checkered board decorated with gold dragons, housed in a red wooden case with a gold handle.
Antique E. Ingraham "gingerbread" or parlor mantel clock, likely produced in the late 1800s to early 1900s. Manufacturer: E. Ingraham Co., Bristol, Connecticut, USA. Design: Features a pressed carved oak case and ornate reverse-painted glass. Mechanism: Typically an 8-day time and strike movement. Condition: These clocks are highly collectible and often valued for their decorative carvings and original finishes.
A polished silver tea set, including a teapot, sugar bowl, creamer, and a trivet
A vintage wooden display cabinet with glass doors decorated with gold floral patterns, standing on four curved legs with a patterned interior backdrop and three glass shelves.
A vintage mahogany drop-leaf table, likely in the style of Duncan Phyfe or a similar Federal-era design. Style: Federal style, often featuring curved legs and mahogany wood. Function: Features drop-leaf sides that expand the surface area when raised, typically used as a side or occasional table. Structure: Common characteristics include dovetailed drawers and vase-style pedestals or curved supports. Era: Similar pieces are often dated from the early 19th century through the mid-20th century.
A beaded wedding clutch purse made of white and off-white beads, arranged in horizontal stripes of various sizes and shapes.
A collection of embroidered and embroidered cloth napkins, handkerchiefs, and linens with floral and character embroidery,
Vintage wooden chest coffee table crafted from solid wood. It features a rustic design with heavy iron hinges and metal handles, common in mid-to-late 19th-century styles. A square or rectangular "trunk-style" coffee table with a split-opening lid and internal storage. Often identified as: Marine or Captain's Trunks: Historically used by officers for storage, often featuring brass or metal reinforcements. Blanket Chests or Coffers: Larger versions were used in the 19th century for storing household linens.
This vintage Coronet Limoges porcelain dinner service features a white glaze with simple gold rims and highlights. Limoges porcelain is known for being hard-paste, exceptionally durable, and translucent when held to the light. The set includes various serving pieces, cups, saucers, and plates, reflecting traditional French craftsmanship.
A collection of 10 hardcover books from the Masterpiece Library of Short Stories series
A portrait of Honoré de Balzac on the left page, with his signature below. The right page is the title page of a book titled 'The Masterpiece Library of Short Stories: The Thousand Best Complete Tales of All Times and All Countries', edited by Sir J. A. Hammerton, focusing on French stories.
Decorative vintage rocking horse clock with a boy and teddy bears and wooden shoes
A row of hardcover books titled 'Masterpiece Library of Short Stories' standing upright on a table, with an open book displaying a portrait and the title page of 'The Masterpiece Library of Short Stories, III. French' in front.
A collection of five vintage hardcover books titled 'The English Poets,' edited by T. H. Ward.
Open book showing title page of "Great Stories from Shakespeare" by Charles & Mary Lamb, illustrated in line by Arthur Rackham, published by Daily Sketch Publications, London.
A collection of vintage books on a table, with titles related to English literature, architecture, and history, one open book displaying text and illustrations, against a brick wall.
Historical black and white photograph depicting Canada's men marching to battlefield during 1914-1915, with tents in a military camp in the background and portraits of two military leaders in ornate frames at the top corners.
Vintage Gilbert Banjo Wall Clock featuring an 8-day key-wind movement and a decorated lower panel. Brand: Gilbert Clock Company, founded in Winchester, Connecticut. Design: These timepieces are known as "banjo" clocks due to their case shape, which resembles the musical instrument. Features: Often top-mounted with an eagle finial and decorated with reverse-painted glass or watercolor scenes in the lower section. Era: These models were heavily manufactured in the early 20th century, particularly around the 1930s and 1940s.
An Antique wooden nightstand with two drawers at the top and a cabinet at the bottom with double doors, featuring brass handles and curved legs.
A vintage wall-mounted telephone with a wooden body, black rotary dial, and a separate black receiver hanging on the side, set against a red brick wall.
Antique pressed back wooden chair with carved backrest.
A display of four framed art prints, including a black and white landscape, a colored landscape, and a black and white scene with ducks in snow,
three collectible art pieces, including two framed prints and one canvas painting. The two framed prints are artistic depictions of boats and fishing scenes at Peggy's Cove, Nova Scotia. The small canvas painting Is the Annapolis Royal Train Station.
Two framed art pieces .The larger piece on the left is a colorful abstract painting with primarily blue tones, depicting a scene with trees and a snowy landscape. The smaller piece on the right is a black-and-white sketch or drawing of birds.
Watercolor painting of a hill with dry grass and a small house or barn at the top, under a cloudy sky, signed by the artist at the bottom left.
Watercolor painting of a house with a steep roof, surrounded by trees and bushes, under a partly cloudy sky.
This item is a hand-carved wooden bird statue or decoy, likely representing a heron or shorebird, used for coastal home decor. Material: Carved wood with a painted finish and a metal stand. Dimensions: Typically measures around 15-16 inches in height, though sizes vary. Style: Rustic, coastal, or mid-century modern aesthetic
An impressionist oil painting of a Parisian street scene featuring Notre Dame across the Seine. Artwork Details The painting depicts a classic mid-century view of Paris, likely near Pointe de l'Archevêché. While several artists produced very similar works during this period, specific details about this piece include: Subject: A bustling street scene with figures walking near a kiosk (possibly a Morris column), with the distinctive towers and spire of Notre Dame de Paris in the background. Artist Identification: Similar works from this era and style are often attributed to artists like Gustav Kohar, H. Duchamp, or Falentino. However, one listing specifically identifies this exact composition as an "illegibly signed" mid-century work. Medium: Mid-century oil on canvas, typically housed in its original wooden frame.
A vintage plastic and fabric case containing a set of silverware, including knives, forks, and spoons, with some wooden shot glasses.
Antique Robert Hanke porcelain vase from Austria, featuring hand-painted yellow roses, gold gilded handles, and an Art Nouveau style. It is a highly decorative collectible piece often identified by its distinct floral motifs and gold accents.
A decorative ceramic vase with floral patterns and gold trim
A stained glass Tiffany-style table lamp with a floral rose design, featuring purple, pink, yellow, blue, and green glass pieces, on a decorative bronze base against a brick wall background.
A decorative table lamp with a spherical shape made of white and blue swirling, petal-like plastic panels, illuminated from inside, placed on a table with a brick wall in the background.
Decorative ceramic collection includes a hen-shaped bank, pig figurines in a crate, a strawberry-shaped basket on a leaf, and a square ceramic vase with a bird and flowers cut-out design.
This image depicts St. Paul's Church in Halifax, Nova Scotia, a historically significant building captured in an artwork by local artist L.B. Jenson. Historic Significance: Established by Royal proclamation in 1749 and completed in 1750, it is the oldest surviving Protestant church in Canada. Architectural Style: The church is modeled after the Marybone Chapel in Westminster, London, featuring a distinctive Georgian design. National Landmark: It has been designated a National Historic Site of Canada since 1981 and served as the first Anglican cathedral outside of Great Britain. Local Lore: The church is famous for the "Explosion Window," which allegedly shows the profile of a deacon imprinted by the intense light of the 1917 Halifax Explosion.
Colorful ceramic vase with a large yellow and blue flower decoration on the front, set against a brick wall background.
Two Soviet military badges with star shapes and inscriptions, one in gold color and the other in black, placed on a textured fabric background.
Vintage medals, pins, and badges on a white cloth, with an ornate metal tin box featuring portraits of a man and a woman and an empty decorative box with stamps inside.
Colorful stained glass pin featuring a British royal crown, a ship, and heraldic shields on a fabric background.
Vintage tobacco and cigarette tins, coins, jewelry, and small collectibles on a white cloth surface.
A portrait painting of a woman with dark hair, seated next to an ornate wooden chair, wearing a black dress with a blue and white collar, and accessorized with jewelry, framed with a gold border.
A framed landscape painting of a river flowing through trees with autumn foliage under a cloudy sky.
A vintage-style armchair with a mint green wooden frame, cane backrest, and a beige cushion with a dragonfly print.
A painting of a snowy landscape with evergreen trees, a rocky coastline, and a lighthouse on a hill overlooking the ocean. Houses with red roofs are visible near the lighthouse, with a path leading up the hill. The sky is cloudy and the water is a vibrant blue.
"Winter Village, Lower St. Lawrence" by A.Y. Jackson, a founding member of Canada's renowned Group of Seven. The piece depicts a peaceful village scene in the Lower St. Lawrence region of Quebec during winter. Jackson first painted in this area in early 1921, where he became fascinated by the interplay of light and wind on the snow, as well as the architecture of old farmhouses and barns. Reproduction Details This specific item appears to be part of a Limited Edition (460) "Canadian Icon Series". Medium: It is a high-quality giclée. These reproductions use a specialized process that involves pressing the original painting into a mold to capture every texture and brushstroke with extreme fidelity.
An antique Northern Electric Company hand crank wall telephone. Period: Commonly used in the early 1900s for local communication. Mechanism: Users turned the side crank to generate electrical pulses that alerted a central operator. Design: Features a wooden cabinet, a black metal mouthpiece, and a hanging receiver. Bells: Two external bells at the top rang to alert the owner of incoming calls.
Vintage Kodak brown leather camera bag adorned with the iconic rainbow arrow logo. The bag is designed as a crossbody or shoulder carrying case and measures approximately 8 inches long. While branded by Kodak, these bags are often used to store and transport various vintage instant cameras, such as the Polaroid 600 model shown next to it.
Vintage Fenton Hobnail white milk glass pedestal swung vase, produced during the 1950s or 1960s. by the Fenton Art Glass Company. This is a hobnail pattern with a fluted, swung mouth and pedestal base. Color: Opaque white milk glass.
A white wedding dress box decorated with gold sequins, ribbons, and fringe, placed on a table against a brick wall.
This item is a vintage "Gone with the Wind" (GWTW) style hurricane parlor table lamp featuring hand-painted floral patterns. Style: Victorian/Antique reproduction parlor lamp. Design: Features a dual-globe design with intricate floral motifs in orange and blue. Structure: Comprised of a white glass or milk glass body with a brass or ornate metal base.
Antique Seth Thomas mantel clock with a dark, adamantine veneer finish and its original winding key. Brand: Seth Thomas, known for high-quality American timepieces. Material: Adamantine finish, a patented celluloid veneer applied to wooden cases, often in black or marbleized patterns. Manufactured between 1900 and the 1920s. Features: Mechanical movement requiring a key for winding. Included
A vintage Replogle World Nation Series 12-inch tabletop globe specifically made for Maclean's Magazine. Features: Raised relief topography showing mountains and colorful political regions,. Design: Light blue oceans with a gold-colored matte metal base and single-axis meridian ring,. Historical Context: The globe features the Union of Soviet Socialist Republics (USSR), indicating it was produced before 1991
A vintage Lumex microscope and chemistry set, likely dating from the mid-20th century. The set is featured with its original wooden storage cabinet, instruction manuals, and a companion chemistry laboratory box. Key Components of the Set Microscope: A gray, precision-optics student microscope with a classic horseshoe-shaped base and a single eyepiece. Storage Cabinet: A wooden, vertical-style case with a hinged door, designed to house the microscope and prevent dust accumulation. Chemistry Kit: A dark green rectangular cardboard box that likely contained chemical reagents, test tubes, and other lab-related supplies. Documentation: A blue-and-white LUMEX instruction booklet with a distinct diamond pattern. A detailed Order Blank (labeled "SET C-8") for "Microscope & Chemistry Sets Supplies and Equipment," which lists various available accessories and chemicals. Lab Tools: A blue vinyl tool kit containing essential scientific instruments, including: Tweezers (forceps) Scissors Probes or needles A scalpel
A vintage Remington Rand mechanical adding and calculating machine, likely dating from the 1940s or 1950s. Type: 10-key manual mechanical calculator. Features: Includes a printing mechanism for paper tape, a digit indicator window, and a hand crank on the right side for operation. Collectibility: Often sought after as a decorative piece for vintage-themed spaces or by collectors of antique office equipment.
A vintage wall-mounted bell system with a large brass bell, a smaller bell, a frame with multiple small bells, and a wall bracket, on a white cloth surface against a brick wall.
Vintage Double Wedding Ring pattern quilt, often featuring fabrics like feed sacks from the early to mid-20th century. Pattern: Double Wedding Ring, prized by collectors and traditionally made as a wedding gift. Design: Interlocking rings pieced from various colorful fabrics on a white background. Era: Common in the 1930s-1940s, often utilizing flour sack or feedsack fabrics. Details: Features intricate piecing and frequently includes detailed hand quilting.
Vintage emerald green glass liquor decanter set with gold gilt detailing. Components: Includes one decanter with a stopper and matching shot glasses. Origin: Likely Bohemian or Czechoslovakian glass, popular in the mid-20th century. Design: Features gold-banded decoration on both the decanter and the glasses.
Painting of a dilapidated wooden cart on a beach with a body of water and mountains in the background under a cloudy sky.
Contemporary geometric abstract painting with strong color-field transitions and a structured, almost architectural composition. Hard-edge geometric abstraction / color gradient abstraction, acrylic on canvas Contemporary (circa 2005) based on the signature) Technically well executed—clean masking, controlled gradients, balanced symmetry
Polystone angel playing a trumpet. It is constructed from sturdy poly-resin designed to look like bronze. The figure stands 24 inches tall. The angel is hand-painted in a gold finish and features detailed, spread wings.
This typewriter is a vintage Underwood Rhythm Touch (also referred to as the Underwood SS), a standard desktop manual model manufactured by the Underwood Corporation. Based on the design and visual characteristics, such as the grey crinkle-finish body and the specific key layout, this model typically dates to the late 1940s or early 1950s. Key Specifications & Identification Model Series: Underwood Rhythm Touch / SS. Type: Standard Desktop Manual Typewriter. Estimated Era: Approximately 1948 to 1952.
Aerial photograph of the former Canadian Forces Base (CFB) Cornwallis located in Deep Brook, Nova Scotia. During its operation, it served as a primary training facility for the Royal Canadian Navy and later the unified Canadian Forces. Commissioned in 1942, it was the largest naval training base in the British Commonwealth during the Second World War. Recommissioned: After closing briefly in 1945, the base was recommissioned in 1949 and functioned as a naval establishment until 1968, when it became a CFB.
The image depicts the signatures and well-wishes found on the back of a graduation photograph from CFB Cornwallis (Canadian Forces Base Cornwallis), a major recruit training facility in Nova Scotia that operated until 1994. These signatures represent fellow recruits and instructors from specific military units, a common tradition for graduating classes. Notable Details & Signatures Based on the text in the image, several military designations and names are visible: Units Mentioned: There are references to the PPCLI (Princess Patricia's Canadian Light Infantry) and the RCR (The Royal Canadian Regiment), indicating the army background of many of the individuals. Key Names & Dates: "C21 June 94": This date is prominent, placing the photograph's origin just before the base's decommissioning in May 1995. Gerry Mercer: A signature with "NBCD TECH" (Nuclear, Biological, Chemical Defense Technician) written beneath it. MCpl J. MacMillan: Signed and dated June 1994. "Never too late to GO NAVY": A common playful jab between service branches, as Cornwallis transitioned from a purely naval base (HMCS Cornwallis) to a tri-service recruit school (CFB Cornwallis) in 1968.
small carpet - Machine made
Upholstered slipper chair featuring a classic skirted base. These chairs are popular for their compact, armless design, making them versatile additions to bedrooms, dressing areas, or living rooms. The round piece is a tufted, skirted ottoman upholstered in a damask style fabric. This particular design, featuring deep hand-tufting with fabric-covered buttons and a pleated skirt, is characteristic of traditional luxury furniture.
A collection of clear cut glass dishware, including bowls, cups, a large pitcher, a smaller pitcher, and a vase, arranged on a white tablecloth against a brick wall background.
Frosted Glass Tulip Vase, Lime Green Elephant Foot Base
Vintage brass scientific balance scale, likely an assay or pharmaceutical balance used for weighing precious metals or chemicals with high precision. Mechanical beam balance designed for high accuracy. Constructed primarily of brass with components housed within a glass display case. Includes an adjustable main beam, counterweights, and a central pointer to determine equilibrium. Historically used for weighing small, valuable samples like gold beads in assaying or ingredients in pharmacy.
A table with a set of white ceramic dinnerware including dinner plates, salad plates, bowls, mugs, a teapot, a creamer, and a large oval serving dish, illuminated by a table lamp against a brick wall background.
Decorative salt and pepper shakers shaped like gourds and turkeys - Occupied Japan
Victorian Eastlake style parlor chair featuring a carved wood frame and yellow tufted upholstery. Eastlake, characterized by machine-carved geometric or floral motifs and a less heavy appearance than earlier Victorian styles. Manufactured in the late 19th century, roughly the 1870s or 1880s and constructed from walnut or other solid hardwoods. Includes a high, button-tufted backrest and turned front legs.
A vintage wooden and metal paper rack
Vintage Walz Coated Filters display and vending machine from the 1950s or 1960s. This floor-standing unit, labeled as a "Filter Department," was designed to educate photographers on how different lens filters can improve their pictures and to dispense custom-fitting coated filters. Key Features of the Machine: Educational Display: The top section demonstrates the effects of various filters (Yellow, Red, etc.) on different subjects like landscapes, portraits, and close-ups, with "No Filter" comparison shots. The machine dispensed various types of photography accessories beyond just filters, including screw-in filters, turret filters, close-up lenses, and lens hoods.
Collection of ceramic animal figurines, including birds, a duck, and a frog, arranged on a table with a brick wall background.
Frequently Asked Questions
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Three times a year — Spring, Summer and Fall. Our next auction is Sunday May 3rd 2026 at the Annapolis Royal Volunteer Fire Hall.
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Register online at maregold.com or register in person on auction day. Online registration saves you the wait at the door!
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Yes! We gladly accept advance bids. Contact us before auction day and we will bid on your behalf.
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No — everything sells on auction day with absolutely no reserves!
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Contact russell@maregold.com or call 709-689-2794 to discuss consigning your pieces.
Handling an Estate or Downsizing? We Can Help.
We’re preparing for our next MareGold Auction in Annapolis Royal and are currently looking for estates and quality antique items.
If you are downsizing, settling a parent’s estate, or clearing a family home, an auction can be a simple and respectful way to pass along a lifetime of belongings to new owners who will appreciate them.
Because we hold only a few Live auctions each year, our sales are carefully curated with interesting and fine antique items.
We are especially interested in:
Antique furniture
Artwork and prints
Rugs and textiles
Historical items and local history pieces
Old clocks, lamps, and mirrors
Books, décor, and collectibles
Outdoor garden furniture, urns, vases, and art pieces
Complete or partial estates
An auction can be a good way to handle an entire estate in one venture, rather than selling items one at a time.
If you’d like to talk about an estate or a few pieces, we’d be happy to have a conversation.
Contact Russell
📧 russell@maregold.com
📞 709-689-2794
Thank you to everyone who supports our local auctions — it’s always wonderful to see these pieces find new homes.
Pre-Registration
WHAT TO EXPECT AT OUR LIVE AUCTIONS
Whether you're a seasoned collector or attending for the first time, here's everything you need to know before you bid.
REGISTRATION
All bidders must register before participating. You will be assigned a unique bidding number, which is the only identifier used during the auction — no names, just numbers.
Save time on auction day by pre-registering online — skip the lineup and head straight to the floor. Walk-in registration is also available on the day of the auction, so be sure to arrive early if registering in person.
HOW BIDDING WORKS
Every item sells to the highest bidder — no reserves, no exceptions. When a lot comes up, the auctioneer opens bidding and takes raises from the floor. Hold up your bidding number clearly to place a bid. The hammer falls when no further bids are received, and that item is yours.
We move quickly, so stay alert. If there are items you're interested in, keep an eye on the lot list and be ready when they come up.
THE LOT LIST
At check-in, you will receive a complete list of all items in the order they will be sold. Every item on the floor has a lot number that corresponds to its place on that list and the order in which it will be auctioned. Use this list to plan ahead, mark the items you want, and make sure you are paying attention when your lots come up.
ALL ITEMS SOLD AS-IS
All items are sold as-is with no warranties or guarantees. We strongly encourage you to inspect every item thoroughly during the preview period before placing a bid. Once the hammer falls, all sales are final.
PAYMENT
All winning bids must be paid in full by 5:00 pm on auction day. We accept:
Credit card
Debit card
Cash
COLLECTING YOUR ITEMS
When you win a bid, your item is moved to our holding area for safekeeping.
Pay for your item at the payment desk.
Bring your receipt to the holding area to claim your purchase.
If you win additional items throughout the day, simply repeat the same process — pay, then present your receipt at the holding area.
All items must be paid for and picked up by 5:00 pm on auction day.
A FEW TIPS
Review the lot list as soon as you receive it and mark the items you want.
Inspect pieces carefully during the preview period — all sales are final.
Set a budget before you arrive and stick to it.
We move fast — stay focused when your lots are coming up.
Speak with a staff member if you have any questions about a specific lot.